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    读书可以经历一千种人生

You can experience a thousand lives by reading a book

世界读书日 特别推荐版

World Book Day Special Edition

 VOL.1

《丽人行：中国古代女性图像》

作者: 蔡琴
出版社: 上海书画出版社

　　本书按照历史顺序，分为五代、北宋和南宋三个时期，解读了近 30 位名家、近 100 幅传世经典画作，探究了山水、花鸟、人。随着女性主义浪潮的一波波涌起，在博物馆和美术馆中，女性的声音和身影以各种方式出现在观众面前，其中，女性博物馆和以女性为主题的展览无疑是最为重要的部分。浙江博物馆策划的“丽人行——中国古代女性图像展”为博物馆女性展览打开了独特局面。分三大绘画类别由技入艺以至于境的发展过程；讲述个体与王朝相互勾连，命运与天才相激共振的历史事件。创作体例上，赏析与评传结合；方法上，审美与思辨兼济。作者试图以此建构新的中国艺术史，这是一部思想、艺术、文化、美学、文学交织的更大的人文作品。读过本书，或许你还会发现，去艺术中开拓文化的江山，是一个好去处。追求自由，构建独立人格，安顿自己，这是对中国文化和自我的一次美的救赎。美，是引人向上的终极力量。

"With the rising tide of feminism, women’s voices and figures are appearing in museums and galleries in a variety of ways, of which women’s museums and women-themed exhibitions are undoubtedly the most important part. The Zhejiang Museum’s exhibition ’Li Ren Xing - Images of Ancient Chinese Women’ has opened up a unique situation for women’s exhibitions in museums.

 VOL.2

《犬儒主义》

作者: [英]安斯加·艾伦
出版社: 商务印书馆

　　继《虚无主义》后，“交界译丛”又一力作！徐贲、徐英瑾 推荐,每个人或许都有自己的“犬儒时刻”，是屈服于心中的“黑暗面”，还是拨开迷雾，迎接真相？还原犬儒主义的真面目，激活思想潜流的真精神。认识犬儒主义，重识时代，直面自我！

After Nihilism, another masterpiece in the Junction Translation Series!Recommended by Xu Ben and Xu Yingjin. Everyone may have his or her own "cynical moment". Do you give in to the "dark side" of your mind, or do you lift the fog and welcome the truth? The true face of cynicism is restored and the true spirit of the undercurrent of thought is activated.Recognise cynicism, reconnect with the times and confront yourself!

 VOL.3

《流动不居》

作者: [德]鲍里斯·格罗伊斯
出版社: 重庆大学出版社

　　在这部重要的著作中，格罗伊斯描绘了这种张力产生的悖论，探索了无物品媒介（互联网）时代的艺术。格罗伊斯断言，如果说机械复制给了我们没有灵晕的物品，那么数字复制生成的便是没有物品的灵晕，其所有物质性都转化成当下之短暂易逝的标志。

In this important work, Groys charts the paradoxes created by this tension, exploring art in the age of the objectless medium (the Internet). Groys asserts that if mechanical reproduction gives us objects without auras, then digital reproduction generates auras without objects, with all their materiality transformed into the fleeting signs of the present.

 VOL.4

《精灵》

作者: [美] 西尔维娅·普拉斯

出版社: 北京联合出版公司

　　《精灵》是普拉斯的最后遗作，风格独具，技巧纯熟，忧郁的气质和哀愁的情调弥漫其间。由陈黎与张芬龄翻译的完整版《精灵》所收诗作包括两部分：“普拉斯亲订本”四十一首与“休斯编辑本选入诗”十四首，另附普拉斯诗中译七首及为BBC 广播节目“普拉斯新诗作”所写文稿。力图全面呈现普拉斯关于生之欲望与死之艺术的绝唱。

The Genie is Plath’s final work, unique in style and virtuosity, with a melancholy and melancholy mood. The complete edition, translated by Chen Li and Zhang Fenling, contains two parts: forty-one poems in Plath’s own edition and fourteen poems in Hughes’s edited version, together with seven translations of Plath’s poems and a contribution to the BBC radio programme "The poems are accompanied by seven translations of Plath’s poems and a contribution to the BBC radio programme ’New Poems by Plath’. It is an attempt to present the full range of Plath’s masterpiece on the desire to live and the art of dying.

 VOL.5

《改变世界的17个方程》

   作者: [英]伊恩·斯图尔特
   出版社: 人民邮电出版

　　方程是世界的基本法则，改变了人类的命运，从波动方程、麦克斯韦方程组，到用于预测金融市场的布莱克–斯科尔斯方程，方程在生活中无处不在。毕达哥拉斯定理如何催生全球卫星定位系统？对数如何在建筑学中发挥应用？虚数为何对数码相机的发展至关重要？薛定谔的猫到底发生了什么？本书选取17个对人类社会产生重要影响的方程，以生动有趣的笔触讲述了它们背后的历史故事，以及它们如何推动了人类文明的发展，并从数学的角度对地球万物进行了独创性的探索与阐释。

Equations are the fundamental laws of the world and have changed the destiny of mankind. From the fluctuating equations and Maxwell’s system of equations to the Black-Scholes equations used to predict financial markets, equations are everywhere in life. How did Pythagoras’ theorem give rise to the Global Positioning System? How can logarithms play an application in architecture? Why were imaginary numbers crucial to the development of digital cameras? What really happened to Schr?dinger’s cat? This book takes 17 equations that have had a significant impact on human society and tells the historical stories behind them in lively and entertaining strokes, and how they have driven the development of human civilisation, as well as providing an original exploration and interpretation of everything on Earth from a mathematical perspective.

 VOL.6

《规则的悖论》

作者: 大卫·格雷伯
出版社: 中信出版集团

　　从职称评审、抵押贷款，到申请办公设备甚至出行购票的流程，五花八门的规定可以让我们填写无数张表格，在流程的提交与退回中反复摩擦，当每天的生活从填表开始，我们不禁困惑：真的需要这么多流程吗？人类学家大卫?格雷伯犀利道出真相，在本书的三篇论文中分别从暴力、技术与理性的角度揭开制造愚蠢规则的根源，更挑明人们离不开它的真实原因。但知道这一切并不让人悲观，因为格雷伯也坚定地指出了被忽略的终极规则：世界是由我们创造的，而我们有能力改造它。

The first chapter of this book is a survey of scholarly thinking and research on the relationship between Italian Renaissance art and the ’Orient’ from the end of the nineteenth century to the present, with the author focusing on the ’image of the Orient’ as an undercurrent that has always been present in this historical ocean. The second chapter will first discuss the dissemination and reception of images of the Orient. On the one hand, Western European painters may have acquired their knowledge of the appearance and attire of the Orient from a variety of sources, such as Oriental travelogues, chronicles and images from Central Asian codices. On the other hand, the variety in the images of the Orient reveals the memories and emotions of the people. Chapters 3 to 7, the core of the book, focus on the narrative language and function of Oriental images themselves, and how they embrace and integrate new images. The focus is on exploring the different roles played by such alien images in a number of traditional themes as they entered Western European society. Five separate and interconnected case studies are included, centred on two chronicle illustrations, two groups of council chamber frescoes, and two painting themes, which essentially cover several basic types of Oriental imagery in 13th-14th century European painting, presenting five different ’portraits’.

 VOL.7 

《亚文化》

作者: [英]迪克·赫伯迪格
出版社: 广西师范大学出版社

　　亚文化的意义总在争议之中，而在对其风格的不同定义里，我们看到最为激情的碰撞。本书是关于青年亚文化的奠基著作之一，也是第一本以朋克文化为主题的系统性研究著作。从安全别针、尖头鞋、摩托车的流行到朋克、雷鬼乐、华丽摇滚的兴起，作者以生动的历史叙事结合结构主义、后结构主义、符号分析等理论方法，深入剖析亚文化的功能、来源、抵抗与收编方式，探索青年亚文化与社会阶层之间的关系和对时代的意义。

The meaning of subculture is always in dispute, and it is in the different definitions of its genre that we see the most passionate collisions. This book is one of the seminal works on youth subcultures and the first systematic study of punk culture. From the popularity of safety pins, pointy shoes and motorbikes to the rise of punk, reggae and glam rock, the author uses a vivid historical narrative combined with theoretical approaches such as structuralism, post-structuralism and symbolic analysis to provide an in-depth analysis of the functions, sources, resistance and ways of collecting subcultures, exploring the relationship between youth subcultures and social classes and their significance to the times.

 VOL.8

《食人资本主义》

作者: [美]南希·佛雷泽

出版社: 上海人民出版社

　　南希·弗雷泽在这本书中揭示了这一切的原因：这颗星球正在被逐渐摧毁，原因无他，只因我们陷入了“食人资本主义”！资本主义像一条贪婪的衔尾蛇，它正在吞噬我们的社会，资产阶级就像食人族，以啃食我们的同类为生。在本书中，当代著名政治哲学家南希·弗雷泽犀利地指出：资本主义不是一种经济类型，而是一种社会类型，资本主义制度默许社会把财富盛在盘子里提供给企业阶层，邀请他们利用我们的创造力和我们赖以生存的地球吃饭，但却觉得自己没有义务补充他们消耗的东西或修复他们破坏的东西。因此，南希·弗雷泽在本书中得出结论：资本主义才是我们当今社会不稳定和危害的根源，它造成整个社会秩序的普遍危机，当所有灾难汇集在一起，彼此加剧，就有可能将我们全部吞噬。

In this book, Nancy Fraser reveals the reason for all this: the planet is being gradually destroyed for no other reason than our descent into "cannibalistic capitalism"!

Capitalism is like a ravenous snake with a tail that is devouring our society, and the bourgeoisie is like a cannibal that feeds on our own kind. In this book, the renowned contemporary political philosopher Nancy Fraser sharply argues that capitalism is not an economic type but a social type, and that the capitalist system tacitly allows society to serve wealth on a plate to the corporate class, inviting them to feed on our creativity and the planet we depend on, but feeling no obligation to replenish what they have consumed or repair what they have destroyed.

Thus, Nancy Fraser concludes in this book that it is capitalism that is at the root of the instability and harm in our society today, creating a general crisis of the entire social order that threatens to swallow us all up when all the catastrophes come together and exacerbate each other.

 VOL.9

《文艺欣赏七论》

作者: [美]王鼎钧

出版社: 商务印书馆

　　“文章是案头之山水，山水是地上之文章”，文学艺术和造化自然都有大美，要欣赏其志其趣，不仅需要以意感，以神通，更需要得窥门径。《文艺欣赏七论》收录了王鼎钧先生集中谈诗歌、小说、散文、戏剧、绘画、书法、篆刻欣赏的文章，既分门别类地概括其特质，又融会贯通地讲述其精髓。一笔一画，一皴一染，在文艺之道中展现的是真正的中国文化人。如他所言：“现实世界产生欲望，艺术世界产生美感，欲望使人烦恼，美感使人的心灵净化。所谓美感并不是美丽漂亮，而是凭自己的直觉进入一个圆满的状态。”

"The essay is the landscape on the desk, and the landscape is the essay on the ground". Both literature and art and nature have great beauty, and to appreciate their aspirations and interests, one needs not only a sense of meaning and divine communication, but also a glimpse of the path. The Seven Essays on Appreciation of Literature and Art contains articles by Mr Wang Dingjun that focus on the appreciation of poetry, fiction, prose, drama, painting, calligraphy and seal carving, outlining their qualities in a separate category and telling the essence of them in a coherent manner. A brushstroke, a stroke of paint, a chafe of colour, a true Chinese cultural being is revealed in the ways of literature and art. As he says: "The real world produces desire, the world of art produces beauty, desire troubles people, beauty purifies the mind. The so-called sense of beauty is not about being beautiful and pretty, but about entering a state of completeness with one’s intuition."

 VOL.10

《大地中国》

作者: 韩茂莉
出版社: 文汇出版社

　　历史与地理密不可分，历史决定思维的深度，地理决定视野的广度。《大地中国》是北京大学教授韩茂莉写给大家的历史地理通识，二十六个专题，贯通上下五千年，遍及南北东西，涵盖了中国历史地理的重要问题。侯仁之先生说，历史地理是“昨天、前天的地理”，本书将历史的时间体系纳入地理空间， 依循山河地理，讲述历史上的那些事，城市、农田、牧场、道路、关隘、江河、集市、寺庙，每个题目都是大地上的一块耀斑，虽然不能涵盖大地，却有着地理的魅力。

History and geography are inseparable; history determines the depth of thinking and geography determines the breadth of vision. Earth China is a general introduction to historical geography written by Peking University Professor Han Maoli. Twenty-six topics, spanning five thousand years, north, south, east and west, cover important issues in Chinese historical geography.

Mr Hou Renzhi says that historical geography is "the geography of yesterday and the day before", and this book incorporates the time system of history into geographical space, following the geography of mountains and rivers to tell the story of those events in history, cities, farmlands, pastures, roads, passes, rivers, bazaars, temples, each topic is a dazzling piece of the earth, although it cannot cover the earth, but has the charm of geography.

 VOL.11

《危险的边疆》

作者: [美]托马斯·巴菲尔德
出版社: 江苏人民出版社

　　《危险的边疆：游牧帝国与中国》通过对两千多年历史时段之内游牧帝国与中原王朝之间历史关系的人类学考察，提出了一个解释包括蒙古帝国在内的游牧大帝国兴盛和衰亡的政治和经济组织分析模式，并对中原与这些帝国的关系作了贯通性的研究。作者提出了游牧力量在与中原接触时所交替采取的“外部边界战略”和“内部边界战略”问题，指出游牧帝国对中原北部地区统治的周期律在某种程度上表现为一种基于集权化与分权化之上的机制性更替过程。本书为中国边疆史研究贡献了一种不同于专业史学家的新思路。

Through an anthropological examination of the historical relationship between nomadic empires and the Middle Kingdom over a period of more than two millennia, Dangerous Frontiers: Nomadic Empires and China presents an analytical model of the political and economic organization that explains the rise and fall of the great nomadic empires, including the Mongol Empire, and provides a coherent study of the relationship between the Middle Kingdom and these empires. The author raises the question of the ’external border strategy’ and the ’internal border strategy’ that nomadic forces alternately adopted when they came into contact with the Middle Kingdom, pointing out that the cyclical pattern of nomadic imperial rule over the northern regions of the Middle Kingdom was to some extent based on a process of centralisation and decentralisation This book is a contribution to the study of Chinese frontier history. This book contributes a new way of thinking to the study of Chinese frontier history that is different from that of professional historians.

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