相聚热土系列展之关系——2021中国当代艺术邀请展

BEYOND THE PERSPECTIVE·2021 CHINESE CONTEMPORARY ART INVITATION EXHIBITION

主办 Organizer

深圳美术馆  Shenzhen Art Museum

展期 Duration

2021年8月4日至8月22日 August 4th - August 22nd, 2021

艺术总监 Art Director

陈履生 Chen Lvsheng 

学术主持 Academic host

彭 锋 Peng Feng

策 展 人 Curator

游  江  孙  粹You Jiang  Sun Cui

策展助理 Exhibition Assistant

邓丽君  张  腾   邓正杰Deng Lijun  Zhang Teng  Deng Zhengjie

设计 Designer

一木设计 YIMU

地点 Venue

深圳美术馆  Shenzhen Art Museum

摄影 Potographer

张腾 Zhang Teng 

鸣谢 Acknowledgement

深圳市宣传文化基金 Shenzhen Publicity and Culture Fund

参展艺术家(按照姓氏笔画为序) Artists（Order By Strokes of Surname）

王叶子、余加、应天齐、李政德、李景湖、陈劼、杨光、黄一山、姚明峰、戴耘

Wang Yezi  Yu Jia  Ying Tianqi  Li Zhengde  Li JingHuChen Jie  Yang Guang  Huang Yishan  Yao Mingfeng   Dai Yun               

展览组委会Organizing Committee

主    任：张燕方
Director:Zhang Yanfang 

副 主 任：王子蚺Vice Director:Wang Ziran 

委员：（按姓氏笔划排列）Committee Member (Order By Strokes of Surname）

万黄婷  王子蚺  陈履生 张燕方 赵伟东  覃京侠 游 江 黎晓阳

Wan Huangting  Wang Ziran Chen Lvsheng Zhang Yanfang Zhao Weidong Qin Jingxia You Jiang Li Xiaoyang 

前言

Preface

　　2002年以来深圳美术馆在“关注本土、关注当代”的学术定位下，举办了一系列当代艺术展览和学术活动，受到了业界的普遍关注。与此同时，深圳美术馆也用展览、收藏、研究等方式积极扶持当代艺术的创作，展示当代艺术家的艺术面貌。

Ever since 2002 when Shenzhen Art Museum set “Local and Contemporary” as its academic theme, a series of contemporary art exhibitions and academic seminars have been held successfully which won the museum extensive reputation and attention in the art world. Meantime, Shenzhen Art Museum spared no efforts in supporting contemporary art creations and in demonstrating the spirits of contemporary artists, through exhibitions, collections and researches.

　　“相聚热土”系列项目是深圳美术馆关注青年艺术、当代艺术的一个常设项目，在深圳市宣传文化基金的支持下，自2009年开始，每隔一年举办一次学术性的展览活动，已经成功地举办了五届。该项目每一届以学术主题展的方式，从本土艺术家出发，邀请国内优秀的艺术家参展，力求展现当代艺术家的艺术风格和成果。如“相聚热土——2009 深圳青年艺术家邀请展”“相聚热土——2013 深圳青年艺术家邀请展”“温度——2015当代艺术邀请展”“透镜——2017 中国当代艺术展”“法模·心范——2019中国当代艺术邀请展”等。

The Gathering in Shenzhen Exhibition Series are regular exhibitions at Shenzhen Art Museum which are focused on the works of young artists and contemporary arts. Supported by the Shenzhen Publicity and Culture Fund, the exhibition was started in 2009 and held once every two years since then over the past more than ten years. So far, five exhibitions have been held successfully, and each exhibition was focused on an academic theme and participated by some outstanding native artists invited, showing the artistic styles and latest achievements of contemporary artists. Such exhibitions include: the Gathering in Shenzhen – 2009 Shenzhen Young Artists’ Works Exhibition, the Gathering in Shenzhen – 2013 Shenzhen Young Artists’ Works Exhibition, the Thermomatter – 2015 China Contemporary Art Exhibition, the Simulacrum Living – 2017 Chinese Contemporary Art Exhibition, and the Inheritance · Innovation – 2019 Chinese Contemporary Art Invitation Exhibition, etc.

　　从全球化时代到所谓的“逆全球化”时代，我们的世界一直在改变。在信息时代它变“平”了，在万物互联的时代它变“快”了，而随着技术对物理世界介入的越来越深，它又开始不断变“深”了。如果把2020年作为一个历史节点的话，后疫情时代一方面让人们在后图像时代“似是而非”的拟像狂欢中“看却看不见”，另一方在后疫情生活的亲历中，亦让人们看到了自然的强大力量，从一种进步观中走向“本来无一物”的思索和哲学追问，所以当下与世界一直迭代的不仅仅是我们所观照的物质的世界，还有我们对于世界的认知。

From globalization to reverse globalization, our world keeps changing all the time. It turns FLAT in the Information Age, FAST in the Internet Age, and DEEP as technologies play more roles in the physical world. If year 2020 is to be a critical point in history, on the one hand, the Post-pandemic Age has treated people with painful lessons that they “see nothing” beyond the carnival of “plausible” simulacra in the Post-image Age, while on the other hand life experience after the pandemic let people see the mighty powers of mother nature. People are moving from a progressive view to the philosophical question “is it empty out there”. Therefore, what keeps iterating with this world is not only the physical world that we are observing, but also our understanding of the world.

　　2021年，“关系——2021中国当代艺术邀请展”中，我们邀请到了应天齐、余加、戴耘、陈劼、李政德、李景湖、杨光、黄一山、姚明峰、王叶子10位艺术家，他们围绕“关系”这一主题，从各自的经验和视角出发，呈现了当代艺术家在全球化语境中的独立思考和艺术风貌。他们的创作材料来自于我们的城市，作品内容取材于日常的生活，这些凝结着艺术家智慧、精心组织的艺术材料和语言，虽然很多时候我们“视而不见”，但是却深深融入到我们自身的生存经验，甚至文化之中。砖、混凝土、马赛克、瓷砖、金属、电线···等，这些作品中的元素一定程度上从生活层面或者说技术层面呈现了世界形态的变化，艺术家多样的视角和艺术表达不仅拓展了人们认知世界的维度，也从一定角度加深了我们对于世界的理解。

To the Beyond the Perspective · 2021 Chinese Contemporary Art Invitation Exhibition, we have invited 10 artists: Ying Tianqi, Yu Jia, Dai Yun, Chen Jie, Li Zhengde, Li Jinghu, Yang Guang, Huang Yishan, Yao Mingfeng, and Wang Yezi. They will focus their works on the theme “Beyond the Perspective” and present the audience with their independent thinking and art styles in the context of globalization, based on their personal experiences and perspective. The materials they use to build the art works are taken from our city, and the content of their arts are extracted from our daily lives. It seems that the elaborately organized art materials and languages have the wisdom of their creators in there. Though we most often neglect them, they have been deeply integrated into our life experiences and even cultures. Bricks, concrete, mosaic, ceramic tiles, metal, wires… the elements in these art works have presented us a changing world, to some extent, from the life level or in other words the technical level. The diverse perspective and art expression of artists not only broadens people’s perception of the world, but also pushes us to a deeper understanding of the world.

深圳美术馆
Shenzhen Art Museum
2021年8月
August 2021

部分展出作品欣赏

第一部分：“似是而非”

Section One: Plausibility

王叶子《约等于悉尼歌剧院》57cm × 43cm × 7cm 装置 2018-2019

王叶子《约等于悉尼歌剧院2》57cm × 43cm × 7cm 装置 2018-2019

王叶子《约等于兵马俑》57cm × 43cm × 7cm 装置 2018-2019

李政德《图层系列：城市1》112.5cm × 200cm 微喷 2020

李政德《图层系列：驾校》119.15cm × 150cm 微喷 2019

李政德《图层系列：观摩》80cm × 100cm 微喷 2019

第二部分：“看却看不见”

Section Two: See but See Nothing

戴耘《物境—6》60cm × 60cm × 10.5cm 水泥、建筑废料、现成品 2018

戴耘《再造——操场》56cm × 49cm × 25cm 水泥、建筑废料、现成品 2019

戴耘《双子座》24cm × 29cm × 40cm ×2 水泥、建筑废料、现成品 2019

杨光《新景观2016》尺寸可变 装置 2016

杨光《新景观2016》局部 尺寸可变 装置 2016

杨光《新景观2016》局部 尺寸可变 装置 2016

余加《纸故乡》局部 60cm × 40cm × 30cm 装置 2021

余加《纸故乡》局部 60cm × 40cm × 30cm 装置 2021

余加《纸故乡》 60cm × 40cm × 30cm 装置 2021

第三部分：“本来无一物”

Section Three: Nothing There

应天齐《徽洲之梦二》 93cm x 117cm  水印版画 2000年

应天齐《众声之声》局部  装置 2021年

应天齐《众声之声》350cm × 350cm × 165cm 装置 2021年

陈劼《关系-9 》21cm × 35cm × 37.5cm 空心砖、丙烯、VAE乳液、亚克力  2019 

陈劼《微弱关系-4》98cm × 71cm × 85cm 不锈钢（铸造）、废旧木头、铁片铁钉、VAE乳胶 2021

陈劼《镜像-7》110cm × 120cm 微喷 2020

李景湖 《陪伴》 尺寸可变 马赛克 2021

李景湖 《陪伴》局部 尺寸可变 马赛克 2021

李景湖《彩虹Ⅱ》 100cm × 100cm × 4cm ×3 装置  日用塑料碎片、亚克力框 2021

李景湖《彩虹Ⅱ》局部 装置  日用塑料碎片、亚克力框 2021

黄一山 《吻-1》 130cm × 104cm 板上综合材料 2017

黄一山《拥抱》 155cm × 110cm 板上综合材料 2019

姚明峰《测试》75cm × 91cm 收藏级喷印、铝塑板、亚克力 2020

姚明峰《参照系》100cm × 62cm 收藏级喷印、铝塑板、亚克力 2020

姚明峰《MY—59.94，25》尺寸可变 屏幕、音箱、海沙、鼠屋 2021

姚明峰《MY—1275和1》135cm×97cm 70cm×70cm 哈内姆勒艺术纸、铝合金画框、亚克力 2021

（深圳市文化广电旅游体育局）

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